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Title
Nazrul Smiti Center
Location

Namapara, Botthola, Trishal, Mymensingh.

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এটি ময়মনসিংহ শহর হতে প্রায় ২২ কিলোমিটার দক্ষিণে গিয়ে, বালিপাড়া রোডের বিপরীত পার্শ্বে ত্রিশাল থানার সামনের রাস্তা দিয়ে ৩ কিলোমিটার দক্ষিণে অবস্থিত হওয়ায় ঢাকা-ময়মনসিংহ রোডের ত্রিশাল ওভারব্রিজ এর সামনের মোড় হতে সিএনজি, অটোরিক্সা, রিক্সাসহ লোকাল যানবাহন দ্বারা যাওয়া যায়। ঢাকা হতে এর দূরত্ব ১০০ কিলোমিটার। ঢাকা থেকে আসতে হলে ত্রিশাল ফায়ার স্টেশন পার হয়ে টিউলিপ রেস্টুরেন্ট এর পূর্বেই পশ্চিম দিকের রাস্তা দিয়ে ইউনিভার্সিটি রোড হয়ে আসতে হবে।

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Details

Islam, Kazi Nazrul (1899-1976) national poet of Bangladesh and one of the best personalities of literature, society and culture of undivided Bengal. Nazrul was born in the village of Churulia of Bardhaman district of West Bengal, 11 jyath (24 May 1899) of 1306 BS. His father, Kazi Fakir Ahmad, was the Imam of the mosque and the tomb of the mosque. Nazrul's nick name was 'Dakhu Mia'. After the death of father in 1908, Nazrul worked for Hajj Palloyan's tomb and to work in the mosque Muazzin for the maintenance of his family. He also passed the lower primary examination from village Maktab. Through this education and teaching of childhood, Nazrul got the opportunity to get acquainted with the fundamental rituals of Islam, such as the holy Qur'an, prayer, fasting, Hajj, zakat etc. in young age. In later life, the experience was helpful in the implementation of Islamic heritage in Bangla literature and music.
Kazi Islam Nazrul

In the history of Bangla literature, he is known as 'rebel poet' and 'Bulbul' in the modern Bengali song industry. His contributions to writing Rabindranath's poem-free poems are very important. It is believed that the creation of 'thirty-first-ever modern poems' was easy for his exceptional poetry. Through Nazrul literature and various political activities, struggles against subordination, communalism, imperialism, colonialism, fundamentalism and indigenous and foreign exploitation in undivided Bengal. For this reason, the British government banned some of his books and magazines and sentenced him to jail. Nazrul also gave the statement of Rajbari written in court and about forty days of continuous hunger strike made the history by protesting the jail-oppression of the British government, and in support of it Nobel laureate Rabindranath Tagore paid tribute to him by offering a book.

Nazrul used all such things and words in his poetry, which was never used before. In poetry, he achieved unprecedented popularity as he retained his contemporary political and social pain. However, some of the fundamental problems of human civilization were the basis of his poetry.

Nazrul attended the creation of Hindu-Muslim mixed tradition in his creation. In poetry and singing, he used many Sanskrit and Arabic rhythms in addition to the traditional Bangla rhythm of this mixed tradition. The history of Nazrul was contemporary and the history of the history of the past and the history of the past, equal homeland and international world.

Almost all of the styles of Bengali music and production, establishment of Bangla songs on the strong foundation of the Northern Indian rhapsody, and the folk-songwriting of Bangla songs, combined with the tradition of the larger classical tradition of the subcontinent, is the introduction of Nazrul's basic music. The Bengali version of Nazrul-song Bangla music, as well as the Vangiya version of the northern Indian classical music. Nazrul converted the Bangla song into the appropriate modern music in the variety of words and tunes.

After the life of Moktab, Mazar and Mosque, Nazrul Radha joined the village of Baddhman (West Bengal's Bardhaman-Birbhum region), a folk dance of poetry, dance and dance. Balak Nazrul was one of those folk dramas and was one of the most famous pagan writers and actors. Nazrul's poet and artist began his life as a beginner. Nazrul's identity with the Hindu myths began from Letodol. Immediately, the technique of composing poems and songs was made by Nazrul Leto or Kavigan's team. At this time, for the sake of Late God, Kishore poet Nazrul was born of the peasant sang, Shankuni, the king of Yudhishthira, the donor's ears, the king of Akbar, the poet Kalidas, Vidyattam, the son of the prince, the neck of the sailors, and the killing of Meghnad.

In 1910, Nazrul returned to his student life again. At first he was admitted to Raniganj Searsol Raj School and later at Matheran High English School (later Nabinchandra Institution). Kabi Kumaranjan Mallik was the headmaster of the last school; Nazrul received his favor. Unfortunately due to financial constraints, after the sixth grade, Nazrul's student life was interrupted again. After leaving Matheron School, he first worked in Basudeb's Kavadale, then a Christian railway guard's khansama and finally at Chaun and Bread shop in Asansol. Thus, the teenager Nazrul was well-acquainted with the harsh reality of his childhood.

Nazrul was introduced to Dargoa Rafizullah with Asansol while working in the tea shop and Nazrul was admitted to the seventh class in Dera Rampur School in Trishal of Mymensingh district in 1914. After one year, he returned to his village again and in 1915, Raniganj was admitted to the 8th class of Searsol Rajskel. In this school, Nazrul studied from 8th to 10th standard in 1915-17. Nazrul joined the army at the end of 1917 during the Pretest examination. In the last years of his student life, Nazrul was influenced by four teachers of Searsol School. They are high class singers Satish Chandra Kanjilal, Nivar Chandra Ghatak in revolutionary style, Hafiz Nurunnabi in Persian literature and Nagendranath Bandyopadhyay in literary arts.

From the end of 1917 to March of 1920, approximately two and a half years of the military life of Nazrul. During this time, he was a 49 soldier from the Bengali Regiment to the battalion quartermaster Habildar. He learned Persian language with the Punjabi Moulibi of the regiment, and with musical accompaniment, he played music with local and foreign musical instruments and simultaneously studied literary work in prose. Nazrul's works published in the Karachi cantonment and published in Calcutta's various newspapers include the first prose of 'Boundul's Autobiography' (Saogat, May 1919).

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